Date recorded: Friday, August 9, 2024
Medium: All
Our first act of composition occurs when we impose a “picture window” around our subject. We look through our viewfinders or crop the subject on the computer — but what are we actually looking for when we do that? Is there more to it than “don’t put things in the center?” Are we relying strictly on instinct to tell the difference between “weak,” “better,” and “good” compositions? There are, in fact, several practical and easy-to-identify compositional considerations we can look for. The greater awareness we have of them, the greater control we have over our compositions, which in turn allows us to make more informed choices. Mitchell will present examples from his own compositional process, and then take a deep dive into each of these considerations, by developing several compositions through the picture window. Working with various source photos, Mitchell will demonstrate how each of these considerations can be used to make your compositions more interesting and dynamic:
In stock
$40 for one year
Mitchell Albala is an award-winning landscape painter, workshop instructor, and author. His semi-abstract and atmospheric landscapes have been exhibited nationally and are represented in corporate and private collections. He is the author of two best-selling books on landscape painting: Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice (Watson-Guptill, 2009), with over 60,000 copies in print; and The Landscape Painter’s Workbook: Essential Studies in Shape, Composition, and Color (Rockport Publishers, 2022), which is currently the #1 selling book on landscape in the nation. Mitchell leads plein air workshops in Italy and teaches workshops throughout the Pacific Northwest. He has lectured on Impressionism and landscape painting at the Seattle Art Museum and has written for International Artist and Artists & Illustrators magazines. Mitchell also hosts a popular painting blog, which is among feedspot.com’s “Top 100 Painting Blogs for Artists.”
About Our Past Technique Takeaways:
Discover specific art techniques that you can ‘take away’ from some of your favorite artists and apply to your own work. This one-and-a-half hour recorded presentation will showcase a process that the artist incorporates in their art practice. Instruction will be through a combination of lecture and demonstration.
You’ll be able to watch the class recording as many times as you would like for one year unless otherwise specified in the product description. (If an instructor wishes their recordings to be available for less than a year, we defer to instructor preferences.) There are no ongoing charges and your access will automatically end.
A link to the recording will be included in your on-screen purchase confirmation, in your purchase confirmation email and on your Online Classrooms page.
(There is no Zoom link for this event because it has already taken place).
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