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Barbara Fugate – Color Temperature Studies (Online)
Discover ways to organize, create connections, and convey feeling with color temperature.
Date recorded: Saturday, November 22, 2025
Join Barbara Fugate for an immersive work-a-long demo on Color Temperature. Discover ways to organize, create connections, and convey feeling with color temperature. Color is powerful and complex. This demo focuses solely on color temperature, an often overlooked and under-used aspect of color interaction. Recognizing the temperature of different colors is a matter of contrasts and relationships…and feeling.
Make several sketches with Barbara, or just watch and listen, in this quick primer on color temperature.
Barbara will be working in a sketchbook using a variety of materials including gouache, watercolor, water-soluble crayons, and conté crayon. Participants can work with their medium of choice (color is encouraged). Subject matter for your sketch is entirely up to you—work from photos, a still life, an abstraction, or your imagination.
Barbara Fugate – Color Temperature Studies (Online); Saturday, November 22 – 11:30am PT/2:30pm ET/7:30pm UK Time quantity
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If you enjoy this presentation or make work inspired by it, please leave a comment below the recording.
Barbara Fugate – Color Temperature Studies (Online)
Join Barbara Fugate for an immersive work-a-long demo on Color Temperature. Discover ways to organize, create connections, and convey feeling with color temperature. Color is powerful and complex. This demo focuses solely on color temperature, an often overlooked and under-used aspect of color interaction. Recognizing the temperature of different colors is a matter of contrasts and relationships…and feeling.
Make several sketches with Barbara, or just watch and listen, in this quick primer on color temperature.
Barbara will be working in a sketchbook using a variety of materials including gouache, watercolor, water-soluble crayons, and conté crayon. Participants can work with their medium of choice (color is encouraged). Subject matter for your sketch is entirely up to you—work from photos, a still life, an abstraction, or your imagination.
Barbara Fugate – Color Temperature Studies (Online); Saturday, November 22 – 11:30am PT/2:30pm ET/7:30pm UK Time quantity
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Join Barbara Fugate for an immersive work-a-long demo on Color Temperature. Discover ways to organize, create connections, and convey feeling with color temperature. Color is powerful and complex. This demo focuses solely on color temperature, an often overlooked and under-used aspect of color interaction. Recognizing the temperature of different colors is a matter of contrasts and relationships…and feeling.
Make several sketches with Barbara, or just watch and listen, in this quick primer on color temperature.
Barbara will be working in a sketchbook using a variety of materials including gouache, watercolor, water-soluble crayons, and conté crayon. Participants can work with their medium of choice (color is encouraged). Subject matter for your sketch is entirely up to you—work from photos, a still life, an abstraction, or your imagination.
Barbara Fugate – Color Temperature Studies (Online); Saturday, November 22 – 11:30am PT/2:30pm ET/7:30pm UK Time quantity
Barbara Fugate is a painter committed to making drawings and paintings that express life rather than imitate it. Discovering and experiencing “how things are” rather than “what they are” continues to inspire and drive Fugate’s art and art instruction. Fugate received a BFA from Western Kentucky University and a MFA in painting from Miami University of Ohio. Fugate has taught expressive drawing and painting classes and workshops in Seattle, as well as international workshops for over 25 years. Schools where Fugate has taught include Gage Academy of Art, Seattle Pacific University, Metchosin International Summer School of the Arts (Victoria, BC), La Conner Art Workshops, as well as her own Seattle Weekend Art Workshops. Fugate’s artwork is published in “The Best of Drawing and Sketching” by Terry Sullivan, “Landscape Painting” by Mitchell Albala, and Margaret Davidson’s book, “Contemporary Drawing”.
