Winslow Art Center will be closing between 3am and 4am Pacific Time (UTC-7, 6-7am Eastern, 11am-noon BST) for scheduled updates. Class recordings can be watched during this time, please click HERE for instructions.
Dates: Tuesdays, July 15-29, 2025
Time: 10:00 AM-12:30 PM Pacific Time, 1:00-3:30 PM Eastern Time, 6:00-8:30 PM London Time
Level: All
Medium: Open to artists working in gouache, oil or acrylics (not watercolor) – Richard will work in gouache
In this course we will be exploring the work of the 20th Century Scottish painter, Joan Eardley and learning from her approach to Landscape Painting.
The course will not teach you how to paint like Joan Eardley, but instead draw influence from her work.
With lots of demos and painting time, this course will be an exploration into creating a sense of place in the landscape, through mark making and atmosphere building. From considered compositions to spontaneous mark making and texture building, discover how to loosen up and embrace an element of abstraction in landscape painting,
In stock
$225.00
Richard K. Blades was born in 1978 and raised in East Anglia. His passion for painting began whilst living in Cornwall in his mid-twenties, working under the influence of professional painters based in the Rame Peninsula. Although academically trained, obtaining a BA in Fine Art from the University of Plymouth, Richard regards himself as a self-taught painter. Having grown up in East Anglia, much of Richard’s work is based on and inspired by the skies and landscapes of the area but having traveled widely, his paintings take on a universal quality. Along with the landscape, he is also a still-life painter, fascinated by the quiet corners of studios and how light falls upon objects and plants. Richard, who recently moved to Norfolk after a decade in London, says of his work
“I am primarily an expressive landscape painter working in the English Romantic tradition. I feel a deep connection to the landscape and the artists who also chose the sky, sea, and land as their sources of inspiration. Turner, Constable, Seago, Daubigney, and Courbet are my personal favourites. The gaps between generations and hundreds of years matter little. Regardless of what has changed in this world, the technological advancements, and societal shifts, the landscape is always there, as something eternal, the ever-changing muse, always present, yet never the same. ”
Richard’s work is regularly exhibited in Cornwall and London and is held in private collections, both in the UK and abroad.
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